Miangaly Theatre Company: Defining the Stage in Madagascar
They say everyone can be an actor. Any location can transform into a theatre stage. Yet finding a...
Read MorePosted by Lalatiana Andréa Rasamoelina | 3rd Jul 2024 | Essay, Madagascar, Management
They say everyone can be an actor. Any location can transform into a theatre stage. Yet finding a...
Read MorePosted by Duška Radosavljević | 18th Jun 2024 | Denmark, Festivals, Review
The 12th annual edition of CPH Stage Festival has come to a close. The cultural highlight that...
Read MorePosted by Marcina Zaccaria | 17th Jun 2024 | Directing, New York, Review, United States of America
Staged in the round with fewer than 25 people in a white box that feels like a gallery space, The...
Read MorePosted by Maria Delgado | 16th Jun 2024 | Review, Spain
La Zaranda are one of Spain’s best kept theatrical secrets. Not because they are not well known or...
Read MorePosted by Emilija Kvočka | 16th Jun 2024 | Festivals, Review, Serbia
The (Post)apocalyptic Light of the Stage – is the slogan of the 69th Sterijno pozorje, a festival...
Read MorePosted by Maria Delgado | 11th Jun 2024 | Acting, News, Spain
Nuria Espert turns 89 today. Hers has been an extraordinary career and it’s not over yet. She has...
Read MorePosted by Aleks Sierz | 10th Jun 2024 | London, Review, Theatre and Politics, United Kingdom, United States of America
Sanaz Toossi’s English at the Kiln Theatre: Pulitzer Prize-winning play shows the impacts of a second language on identity
Read MorePosted by Rhiannon Ling | 4th Jun 2024 | Algeria, France, Interview, Theatre and Politics
Catherine Filloux is an internationally recognized French-Algerian playwright. Her work revolves...
Read MorePosted by Rhiannon Ling | 1st Jun 2024 | Immersive Theatre, New York, Review, United States of America
I’ve long been fascinated by the concept of incorporating video game mechanics into theatrical...
Read MorePosted by The Theatre Times | 28th May 2024 | Dramaturgy, New York, News, United States of America
Elinor Fuchs, a trailblazing theater scholar, critic, and playwright, passed away on May 28, 2024,...
Read MorePosted by Teodora Medeleanu | 22nd May 2024 | Poland, Review, Theatre for Young Audiences
In spite of all open-mindedness, attending family performances as an adult can be, initially at...
Read MorePosted by Rhiannon Ling | 22nd May 2024 | New York, Review, Theatre and Film, United States of America
My first thought upon entering Redemption Story at A.R.T./NY was that of boldness: I can’t recall...
Read MorePosted by Lisa Monde | 21st May 2024 | France, Interview, Musical Theatre
Dedicated to the 35th anniversary of the musical Miss Saigon, an exclusive interview with the...
Read MorePosted by Christina Stanton | 19th May 2024 | Musical Theatre, Review, United States of America
Most historic dates and events fade from view after a few years, especially as witnesses age and...
Read MorePosted by Azadeh Kangarani | 15th May 2024 | Review, Theatre and Politics, United States of America
Do you speak any languages besides your mother tongue, especially as an adult learner? How do you...
Read MorePosted by Amin Azimi | 15th May 2024 | Canada, Review, Theatre and Politics
Toronto’s theatre scene thrives on its multicultural identity, a modern-day Tower of Babel...
Read MorePosted by Deniz Bașar | 15th May 2024 | Essay, Theatre and Decolonization, Turkey
TiyatroTem (2001-2017) was established by Şehsuvar Aktaş (b. 1964) and Ayşe Selen (1955-2017) in...
Read MorePosted by Emilija Kvočka | 13th May 2024 | Directing, Macedonia, Review, Serbia
He lived for 33 years, and then he left us. He had his first professional direction in the...
Read MorePosted by Marcina Zaccaria | 12th May 2024 | Review, Theatre and Politics, United States of America
Solo Performers John Rwothomack and Fidaa Zidan join forces to unravel the discovery of life after political rallies and prison sentences in Lines.
Read MorePosted by Xunnan Li | 5th May 2024 | Review, Theatre and Politics, United Kingdom
Amidst the bustling metropolis of London, a group of aspiring theatrical talents (Kelly Guibal, Flavia Di Saverio, Thelma Osorio Euan, Maria Luc, Hana Tamaru, Arianna Folini) took to the stage at The Hen & Chicken Theatre in March 2024 to present their musical production, “Don’t Get Me Wrong”. Through their performance, they delved into the intricate tapestry of challenges and joys experienced by those navigating life in the vibrant yet daunting urban landscape of the UK’s largest city.
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