Poland
SPOTLIGHT ON POLISH THEATRE
A Theatre of Elsewhere
Posted by S.E. Gontarski | Dec 5, 2023 | Collaborating Across Cultures, Poland, Theatre and Film, Translation
“Waiting for Lucky” and “Quê Ond...
Posted by Martin Blaszk | Nov 29, 2023 | Brazil, Poland, Review
“Gulliver’s Travels”: a Lesson i...
Posted by Emiliia Dementsova | Oct 8, 2023 | Czech Republic, Festivals, Hungary, Poland, Puppetry, Review, Theatre for Young Audiences
Polish People Deserve Better From Irish Theatre…
Posted by Kasia Lech | Sep 7, 2023 | Essay, Ireland, Management, Poland, Theatre and Politics
Poland at The Edinburgh Fringe 2023: Lubuski Teatr...
Posted by Duška Radosavljević | Aug 16, 2023 | Edinburgh 2023, Poland, Review, Scotland
ENTRE: A Dispersed Festival of Literature and Thea...
Posted by Martin Blaszk | Feb 10, 2023 | Brazil, Education, Essay, Poland, Transcultural Collaborations
The Brazilian Experience with Different Forms of T...
Posted by Rodolfo García Vázquez | Feb 6, 2023 | Brazil, Covid-19, Essay, Poland, Theatre and Science, Transcultural Collaborations
The Spotlight on Poland showcases new developments in Polish theatre both at home and abroad. From performance reviews and interviews, to an ever-growing archive of essays, the series offers The Theatre Times' readers a window on the Polish theatre landscape.
EDITORIALS
The Spotlight on Poland: Diverse Voices and Perspectives on Contemporary Polish Theatre - Kasia Lech, Regional Managing Editor for Poland
The Context of Contemporary Polish Theatre: Spotlight on Poland - Magda Romanska, Executive Director and Editor-in-Chief
![World Theatre Day Message of Polish Centre of the International Theatre Institute on 27 March 2022 in Polish, Ukrainian, and English](https://thetheatretimes.com/wp-content/uploads/2022/03/thumb_Warszawa.24.03_ods__onie__cie_napisu_DZIECI_na_pl._Defilad__odczytanie_ore__dzia_na_60.MDT_2-440x264.jpg)
![What Will You Do This Summer? On An Interdisciplinary Summer Camp In Warsaw](https://thetheatretimes.com/wp-content/uploads/2021/04/She-Pop-Pop-440x264.jpg)
![Polishness And Its Place in Europe: Polish National Theatre Streams “Kordian” By Juliusz Słowacki.](https://thetheatretimes.com/wp-content/uploads/2021/01/Fot.-Yato-Photography-440x264.jpg)
![“Generation After 4”: Connecting Above Borders With The Most Radical Stages Of Polish New Theatre](https://thetheatretimes.com/wp-content/uploads/2020/09/Smolar-440x264.jpg)
![Season of Doom in Belarus](https://thetheatretimes.com/wp-content/uploads/2019/04/Steam-Photo-Courtesy-of-Center-of-Belarusian-Drama-440x264.jpg)
Season of Doom in Belarus
![Plotting Yiddish Drama: A New Digital Resource](https://thetheatretimes.com/wp-content/uploads/2019/09/image-440x264-1.jpg)
Plotting Yiddish Drama: A New Digital Resource
![Polish Theatre Transfers To Dresden](https://thetheatretimes.com/wp-content/uploads/2019/01/PolishTheatreArticlePic-440x264.jpg)
Polish Theatre Transfers To Dresden
![Virtual Reality In Polish Theatre](https://thetheatretimes.com/wp-content/uploads/2018/07/1-1-440x264.jpg)
Virtual Reality In Polish Theatre
![Polish Theatre at the Edinburgh Fringe 2018](https://thetheatretimes.com/wp-content/uploads/2018/07/SILENCE-Opole-8.05.2017-fot.-Grzegorz-Gajos-6-440x264.jpg)
Polish Theatre at the Edinburgh Fringe 2018
![Jacek Sieradzki Announces The End Of The Contemporary Polish Plays Problem: The 2018 Awards For Staging Contemporary Polish Plays](https://thetheatretimes.com/wp-content/uploads/2018/07/Zagubiony-Chlopiec-440x264.jpg)
![Metaphor At Play: New Theatre from Belgium, Poland and United States](https://thetheatretimes.com/wp-content/uploads/2018/04/Hindu-1-440x264.jpg)
![“Anæsthesia Transopera” – Interactive Transmedia Opera](https://thetheatretimes.com/wp-content/uploads/2018/02/anaesthesia-fot.-Ela-Kowalska-ela-440x264.jpg)
![Humanities/Art/Technology Research Center: Combining Theatre, Art, and Engineering](https://thetheatretimes.com/wp-content/uploads/2018/02/transmedia-workshop-Essen-fot.-Michal-Krawczak--440x264.jpg)
![When It’s Written On Your Face: Teatr 21 And The Paradox Of Invisibility](https://thetheatretimes.com/wp-content/uploads/2018/03/featured-photo-teatr-21-profile-440x264.jpg)
![Confronting The Limits: Konfrontacje Festival 2017](https://thetheatretimes.com/wp-content/uploads/2018/03/konfrontacje-photo-440x264.jpg)
Confronting The Limits: Konfrontacje Festival 2017
![Cricoteka: A Centre Of New Life For Tadeusz Kantor’s Art](https://thetheatretimes.com/wp-content/uploads/2018/03/duze-37-1024x683-1-440x264.jpg)
![Studying Theatre And Media In Poznań: The Institute Of Theatre And Media Arts At Adam Mickiewicz University](https://thetheatretimes.com/wp-content/uploads/2018/02/3.-ping-sensors-interactive-media-and-performance-440x264.jpg)
![Jacek Głomb Named Polish “Theatre Person 2018”](https://thetheatretimes.com/wp-content/uploads/2018/03/Palcat-440x264.jpg)
Jacek Głomb Named Polish “Theatre Person 2018”
![Theatre and Higher Education in Poland: Theatre Studies in Wrocław](https://thetheatretimes.com/wp-content/uploads/2018/01/Muzeum_Teatru-440x264.jpg)
![Poland On Stage: What, Where, When](https://thetheatretimes.com/wp-content/uploads/2018/01/superspektakl__0562-440x264.jpg)
Poland On Stage: What, Where, When
Grzegorz Jarzyna – the head and artistic director of TR Warszawa (Poland) discusses how the COVID-19 pandemic has affected his work, TR Warszawa, and the theatre community in Poland. He also reflects on what may the future of theatre look like.
Polish People Deserve Better From Irish Theatre…
by Kasia Lech | Sep 7, 2023 | Essay, Ireland, Management, Poland, Theatre and Politics
In 2004, Ireland, as one of the first countries in the EU, invited Polish people to live and work...
![“Ronja, the Robber’s Daughter:” Theater Conventions for Kids](https://thetheatretimes.com/wp-content/uploads/2024/05/Ronja-Featured-440x264.jpg)
![“Waiting for Lucky” and “Quê Onde” – A Brazilian Beckett Double Bill Presented at the Between.Pomiędzy Dispersed Festival 2023](https://thetheatretimes.com/wp-content/uploads/2023/11/Picture2-440x264.jpg)
![“Gulliver’s Travels”: a Lesson in Satire for Children.](https://thetheatretimes.com/wp-content/uploads/2023/10/td_bajka_gulliver_01-440x264.jpg)
![Poland at The Edinburgh Fringe 2023: Lubuski Teatr’s “Gusła” And The Song Of The Goat’s “Andronicus Synecdoche”](https://thetheatretimes.com/wp-content/uploads/2023/08/Gusla.-LUBUSKI-TEATR.-Credit-KADR-Kamil-Derda-440x264.jpg)
![“The Interrupted Dream” by Hong Kong’s Zuni Icosahedron in Wrocław, Poland](https://thetheatretimes.com/wp-content/uploads/2023/02/07_Photo_Tobiasz-Papuczys-e1673937857431-440x264.jpeg)
![When Languages Fall Apart: InlanDimensions International Arts Festival](https://thetheatretimes.com/wp-content/uploads/2022/04/Alice-Theater-Laboratory-A-Dream-Play-photo-from-the-festivals-press-release-440x264.jpg)
![The Dismantling of Mourning](https://thetheatretimes.com/wp-content/uploads/2022/04/Ah-if-I-come-to-bid-my-last-and-cruel-farewell-440x264.jpg)
The Dismantling of Mourning
![Be Gone! Or, Clear Away, Chop Chop: Dziady at 34/36 Mickiewicza Street in Warsaw](https://thetheatretimes.com/wp-content/uploads/2021/08/Dziady.Featured-e1629318237647-440x264.jpg)
![Beckett 2020](https://thetheatretimes.com/wp-content/uploads/2021/08/Beckett-e1629320662108-440x264.jpg)
Beckett 2020
![Can the World be Saved on Stage?—”How to Save the World on a Small Stage?” at Powszechny Theatre](https://thetheatretimes.com/wp-content/uploads/2021/06/1_JOSNMS_8-fot.-Magda-Hueckel-440x264.jpg)
![The Happening “12” – The 12th Between.Pomiędzy Festival of Literature and Theatre, 2021](https://thetheatretimes.com/wp-content/uploads/2021/06/Picture1-1-440x264.png)
![“Najdziwniejszy Androgyn” (The Strangest Androgyne): Autism in Performance](https://thetheatretimes.com/wp-content/uploads/2021/06/A.6.i_Androgyn_fot_Sylwester_Galuszka-440x264.jpg)
![Separate Yet Together: The Twelfth International Between.Pomiędzy Festival of Literature and Theatre](https://thetheatretimes.com/wp-content/uploads/2021/06/Pusty-teatr-1-scaled-440x264.jpg)
![How a Polish Master, Krystian Lupa, Brought Lu Xun’s Madness to Life](https://thetheatretimes.com/wp-content/uploads/2021/06/Lu-Xun-featured-440x264.jpeg)
![Feedback Loop: “No One’s Gonna Believe Me Anyway” at the Gniezno Theatre](https://thetheatretimes.com/wp-content/uploads/2021/02/DSC_0795-440x264.jpg)
![Who Let the “Lady of Pestilence” In?](https://thetheatretimes.com/wp-content/uploads/2021/02/Piotr-Tokarz-and-Irena-Sierakowska-in-Pani-Moru.-Lady-of-Pestilence-Written-and-directed-by-Sebastian-Majewski.-Photo-by-Tobiasz-Papuczys.-scaled-e1613428898659-440x264.jpg)
Who Let the “Lady of Pestilence” In?
![Inside Virtual Rooms](https://thetheatretimes.com/wp-content/uploads/2021/02/159_lemanska-440x264.jpg)
Inside Virtual Rooms
![“The Dybbuk” Or a Play Possessing Audiences for a Century](https://thetheatretimes.com/wp-content/uploads/2021/01/image2-e1610810784460-440x264.png)
![A Big Small Story](https://thetheatretimes.com/wp-content/uploads/2020/11/Wielkie-mi-Cos-fot.-Grzegorz-Gajos-5-scaled-440x264.jpg)
A Big Small Story
![Polish Shakespeare Online: Krzysztof Warlikowski’s “The Tempest”](https://thetheatretimes.com/wp-content/uploads/2020/08/TTT_burza_0001-440x264.jpg)
“I Don’t Know What It Means To Be An Actor”: Mamadou Góo Bâ In Conversation With Monika Kwaśniewska
by Monika Kwaśniewska | Sep 4, 2020 | Acting, Interview, Poland, Senegal
Monika Kwaśniewska: What is your educational background in the arts? Did you graduate from drama...
From “Tarantella” To Theatre Design: Prampolini And Polish Futurism At The Łódź Museum Of Art
by Lauren Dubowski | Dec 27, 2017 | Design, Italy, Poland, Review, Theatre and Art
Three gramophones affixed to angular wooden boxes stood tall, almost animal-like, on wiry metal...
“The Interrupted Dream” by Hong Kong’s Zuni Icosahedron in Wrocław, Poland
by Rossella Ferrari | Oct 1, 2022 | Adaptation, China, Directing, Festivals, Hong Kong, Poland, Review
Tang Xianzu’s sixteenth-century classic, Peony Pavilion (1598), is a play about boundaries and...
Samuel Beckett and Tadeusz Różewicz: Shared Themes and Motifs
by Tomasz Wiśniewski | Feb 9, 2022 | Essay, Playwriting, Poland
INTRODUCTION This article is comparative in approach and introduces the work of two classic...
Polish People Deserve Better From Irish Theatre…
by Kasia Lech | Sep 7, 2023 | Essay, Ireland, Management, Poland, Theatre and Politics
In 2004, Ireland, as one of the first countries in the EU, invited Polish people to live and work...
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The Dismantling of Mourning
by Paweł Schreiber | Apr 9, 2022 | Adaptation, Poland, Review, Theatre and Politics
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“Najdziwniejszy Androgyn” (The Strangest Androgyne): Autism in Performance
by Katarzyna Ojrzyńska | Jun 11, 2021 | Between.Pomiędzy 2021, Festivals, Poland, Review, Theatre and Disability
A short documentary opening the series entitled Spradyczni artyści (Sporadic Artists, dir....
Feedback Loop: “No One’s Gonna Believe Me Anyway” at the Gniezno Theatre
by Piotr Dobrowolski | Mar 8, 2021 | Poland, Review, Theatre and Gender
“No one’s gonna believe me anyway,” says Barbara repeatedly. She knows there is no point in...
Divine Comedy Festival 2017 Review: “Cezary Goes To War”
by KaiChieh Tu | Mar 24, 2018 | Divine Comedy Festival 2017, LGBTQ+ Theatre, Poland, Review, Theatre and Politics
Cezary Goes To War [Cezary Idzie Na Wojnę], an autobiographical piece directed by Cezary...
![FIRE THEATRE Mime Company: On a Quest for Fire Drama](https://thetheatretimes.com/wp-content/uploads/2021/08/Fire-Theatre-1-of-3_Memory-of-Fire2014-2016-scaled-e1628974936911-440x264.jpg)
![Kalina Stefanova and Marvin Carlson in conversation on Directors from Eastern Europe. Part 3.](https://thetheatretimes.com/wp-content/uploads/2021/08/15.-Carbunariu-Common-People-Photo-by-Adi-Bulboacă-440x264.jpg)
![Kalina Stefanova and Marvin Carlson in Conversation on Directors from Eastern Europe. Part 2.](https://thetheatretimes.com/wp-content/uploads/2021/08/Manon-Lescaut-or-Jana-Pidrmanova-foto_-Patrik-Borecky-1-scaled-440x264.jpg)
![Kalina Stefanova and Marvin Carlson in Conversation on Directors from Eastern Europe. Part 1.](https://thetheatretimes.com/wp-content/uploads/2021/08/14.-Morfov-On-the-Edge-Photo-by-Elena-Nikolaeva-scaled-440x264.jpg)
![Translating Central and Eastern Europe’s Drama: Interview with Andrei Moskwin](https://thetheatretimes.com/wp-content/uploads/2020/09/120131014_3022330837872021_5419264403658875556_n-scaled-440x264.jpg)
![Dzigan and Shumacher: Before “Cabaret” and “Schindler’s List.” An Interview with Diego Rotman](https://thetheatretimes.com/wp-content/uploads/2020/09/dands-undzere-kinder-440x264.jpg)
![The Story Behind “LILIAN”: Interview with Kasia Głowicka](https://thetheatretimes.com/wp-content/uploads/2020/09/KasiaGlowicka_Landscape_01-440x264.png)
![“I Don’t Know What It Means To Be An Actor”: Mamadou Góo Bâ In Conversation With Monika Kwaśniewska](https://thetheatretimes.com/wp-content/uploads/2020/09/Mein-Kampf-rez.-jakub-Skrzywanek___fot.-Magda-Hueckel-440x264.png)
![An Interview with Grzegorz Bral Director of “Anty-Gone Triptych Part II”](https://thetheatretimes.com/wp-content/uploads/2020/07/anty-gone_fot_Krzysztof-Bieliński-scaled-440x264.jpg)
![Grzegorz Jarzyna On The Pandemic And Post-Pandemic Theatre](https://thetheatretimes.com/wp-content/uploads/2018/07/2-1-440x264.jpg)
![Between.Pomiędzy Festival: Literary Criticism Now](https://thetheatretimes.com/wp-content/uploads/2020/05/Featured-440x264.jpg)
Between.Pomiędzy Festival: Literary Criticism Now
![Between.Pomiędzy: A Festival That Believes in Europe](https://thetheatretimes.com/wp-content/uploads/2020/05/Featured-1-440x264.jpg)
Between.Pomiędzy: A Festival That Believes in Europe
![VR, Theatre and the Importance of Immersion](https://thetheatretimes.com/wp-content/uploads/2020/04/screenshot-2019-09-21-at-03.40.57-440x264.png)
VR, Theatre and the Importance of Immersion
![“The Conditions are Never Ideal:” In Conversation with Melanie Lomoff](https://thetheatretimes.com/wp-content/uploads/2020/04/917A8119-scaled-440x264.jpg)
![“Gardzienice:” Wesele – Wyspiański – Malczewski – Konieczny. Tomasz Wiśniewski in a Conversation with Włodzimierz Staniewski](https://thetheatretimes.com/wp-content/uploads/2020/04/0-4-e1586018623987-440x264.jpeg)
![Discussion On The Greatest Theatrical Scandal Of 2017: “Klątwa” At The Powszechny Theatre In Warsaw](https://thetheatretimes.com/wp-content/uploads/2018/03/Klatwa-1-440x264.jpg)
![Interview With The Art Director Of MICET Interactive Theatre Museum In Kraków](https://thetheatretimes.com/wp-content/uploads/2018/03/o-nas-440x264.png)
![Newborn: Talk with Wojtek Markowski](https://thetheatretimes.com/wp-content/uploads/2022/05/newborn-feat-440x264.jpeg)
Newborn: Talk with Wojtek Markowski
![Polish Director, Michal Znaniecki, in Argentina, on Globalization of Art](https://thetheatretimes.com/wp-content/uploads/2017/04/CvjF329W8AAvvlw-440x264.jpg)
![A Dreamed Theatre – Piotr Tomaszuk of Teatr Wierszalin in Conversation with Tomasz Wiśniewski](https://thetheatretimes.com/wp-content/uploads/2017/03/Historyja-Rafał-w-słomkowym-kapeluszu-440x264.jpg)
Polish Shakespeare Online: Maja Kleczewska’s “Macbeth”
by Konrad Zielinski | May 8, 2020 | Poland, Polish Theatre Abroad, Review
L. P. Hartley’s much-recycled observation that ‘the past is a foreign country’ seems an oddly...
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Polish Theatre at the Edinburgh Fringe 2018
by Kasia Lech | Jul 14, 2018 | Festivals, News, Poland, Polish Theatre Abroad
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“Unknown, I Live With You”: Oppression and Song
by Agata Araszkiewicz | Oct 11, 2019 | Afghanistan, Belgium, Essay, Poland, Theatre and Opera
Opera is filled with tales of violence. Its whole history relies on great passions tragically...
Notes from the Generation After 4 Showcase
by Franciszek Bryk | Oct 16, 2020 | Festivals, Poland, Theatre and Dance
Mid-September brought us a week of new, Polish theatre productions, and a sneak peek behind the...
“Gulliver’s Travels”: a Lesson in Satire for Children.
by Emiliia Dementsova | Oct 8, 2023 | Czech Republic, Festivals, Hungary, Poland, Puppetry, Review, Theatre for Young Audiences
“The life of man to represent, And turn it all to ridicule, Wit did a puppet-show...
![“Gulliver’s Travels”: a Lesson in Satire for Children.](https://thetheatretimes.com/wp-content/uploads/2023/10/td_bajka_gulliver_01-440x264.jpg)
![The ENTRE Festival in Midwest Brazil](https://thetheatretimes.com/wp-content/uploads/2023/02/unnamed-440x264.jpeg)
The ENTRE Festival in Midwest Brazil
![“The Interrupted Dream” by Hong Kong’s Zuni Icosahedron in Wrocław, Poland](https://thetheatretimes.com/wp-content/uploads/2023/02/07_Photo_Tobiasz-Papuczys-e1673937857431-440x264.jpeg)
![When Languages Fall Apart: InlanDimensions International Arts Festival](https://thetheatretimes.com/wp-content/uploads/2022/04/Alice-Theater-Laboratory-A-Dream-Play-photo-from-the-festivals-press-release-440x264.jpg)
![FIRE THEATRE Mime Company: On a Quest for Fire Drama](https://thetheatretimes.com/wp-content/uploads/2021/08/Fire-Theatre-1-of-3_Memory-of-Fire2014-2016-scaled-e1628974936911-440x264.jpg)
![Theatre as a Social Institution](https://thetheatretimes.com/wp-content/uploads/2021/08/Magdalena-Szuster.-Music-Theatre-in-Lodz-archive.-Credit-M.-Matuszak-scaled-e1627785905181-440x264.jpg)
Theatre as a Social Institution
![Kalina Stefanova and Marvin Carlson in conversation on Directors from Eastern Europe. Part 3.](https://thetheatretimes.com/wp-content/uploads/2021/08/15.-Carbunariu-Common-People-Photo-by-Adi-Bulboacă-440x264.jpg)
![Kalina Stefanova and Marvin Carlson in Conversation on Directors from Eastern Europe. Part 2.](https://thetheatretimes.com/wp-content/uploads/2021/08/Manon-Lescaut-or-Jana-Pidrmanova-foto_-Patrik-Borecky-1-scaled-440x264.jpg)
![Kalina Stefanova and Marvin Carlson in Conversation on Directors from Eastern Europe. Part 1.](https://thetheatretimes.com/wp-content/uploads/2021/08/14.-Morfov-On-the-Edge-Photo-by-Elena-Nikolaeva-scaled-440x264.jpg)
![Beckett, Technology, and Experimentation: Report from the Between.Pomiedzy Festival 2021, Day 4](https://thetheatretimes.com/wp-content/uploads/2021/08/Rockaby.-with-Kathryn-Mederos-Syssoyeva.-Directed-by-Diana-Zhdanova.-440x264.png)
![Building Bridges: Interweaving Beckett – Brazil and Poland](https://thetheatretimes.com/wp-content/uploads/2021/08/10308159_10203825090440297_2721454102572861005_n-440x264.jpg)
![Can the World be Saved on Stage?—”How to Save the World on a Small Stage?” at Powszechny Theatre](https://thetheatretimes.com/wp-content/uploads/2021/06/1_JOSNMS_8-fot.-Magda-Hueckel-440x264.jpg)
![Laughing in Darkness: Reading Różewicz Anew](https://thetheatretimes.com/wp-content/uploads/2021/06/T.Różewicz-fot.Z-2-scaled-e1623341296319-440x264.jpg)
Laughing in Darkness: Reading Różewicz Anew
![“Najdziwniejszy Androgyn” (The Strangest Androgyne): Autism in Performance](https://thetheatretimes.com/wp-content/uploads/2021/06/A.6.i_Androgyn_fot_Sylwester_Galuszka-440x264.jpg)
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![Separate Yet Together: The Twelfth International Between.Pomiędzy Festival of Literature and Theatre](https://thetheatretimes.com/wp-content/uploads/2021/06/Pusty-teatr-1-scaled-440x264.jpg)
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Privileges of the Imagination
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Beckett 2020
by Urszula Pysyk | Aug 23, 2021 | Adaptation, Poland, Review, Transmedia
Have the worlds of Samuel Beckett’s plays become our reality? The creators of Beckett Planet seem...
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5 Reasons Why Verse Is the Language for Theatre in 2020s
by Kasia Lech | Mar 12, 2021 | Dramaturgy, Ireland, Nigeria, Playwriting, Poland, Spain, Transmedia, United Kingdom
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Inside Virtual Rooms
by Katarzyna Lemańska | Feb 17, 2021 | Poland, Review, Transmedia
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