Russia
SPOTLIGHT ON RUSSIAN THEATRE
“Cabaret” at the Theatre of Nations: I...
Posted by Emiliia Dementsova | Oct 2, 2022 | Adaptation, Review, Russia, Theatre and Politics
Russian Theater Beyond Time and Place. On the 25th...
Posted by Vassili Schedrin | Sep 14, 2022 | Dramaturgy, Essay, New York, Russian Theatre Abroad, United States of America
“The Cherry Orchard,” Portland Experim...
Posted by Justine Nakase | Aug 12, 2022 | Adaptation, Design, Review, Russian Theatre Abroad, United States of America
“On the Verge of Tragedy and Farce”: An Interview ...
Posted by Sergey Elkin | Jul 3, 2022 | Adaptation, Directing, Interview, Russia
The Spotlight on Russia showcases new developments in Russian theatre both at home and abroad. From performance reviews to interviews, streaming video to an ever-growing archive of essays, the series offers The Theatre Times' readers a window on the Russian theatre landscape.
![Mikhoels by Freud: “The Singing Windmills” by Roman Freud and the PM Theater Company](https://thetheatretimes.com/wp-content/uploads/2022/05/mikhoels-chechik-440x264.jpeg)
![Ken Reynolds: 1938–2021. A Personal and Professional Remembrance of East European Theatre’s Finest Photographer](https://thetheatretimes.com/wp-content/uploads/2021/09/Butusov-Richard-III257-IMG_97572007-06-17-Version-2-scaled-e1632462948204-440x264.jpg)
![Mikhail Baryshnikov: A Dancer Whose Flight to Freedom Brought Him Cult Status](https://thetheatretimes.com/wp-content/uploads/2021/02/601300cd85600a4adf6e6aa6-440x264.jpg)
![Russian Theatre Stages “The Cherry Orchard” Using Minecraft](https://thetheatretimes.com/wp-content/uploads/2020/07/Screenshot_2020-07-27-Russian-theater-used-Minecraft-to-stage-Cherry-Orchard-440x264.png)
![Boris Yukhananov On The Pandemic And Post-Pandemic Theatre](https://thetheatretimes.com/wp-content/uploads/2020/06/Constant-Principle-1-792x506-1-440x264.jpg)
![Theatre During Self-Isolation: Danger as Opportunity](https://thetheatretimes.com/wp-content/uploads/2020/04/received_683875195745376-440x264.jpeg)
Theatre During Self-Isolation: Danger as Opportunity
![Sarah Kane Through a Russian Prism](https://thetheatretimes.com/wp-content/uploads/2020/04/Psychosis-1-440x264.jpg)
Sarah Kane Through a Russian Prism
![U.S. Architects to Build Splendid New Theater in Russia’s Perm](https://thetheatretimes.com/wp-content/uploads/2020/02/Screenshot_2020-02-25-U-S-architects-to-build-splendid-new-theater-in-Russia’s-Perm-PHOTOS-440x264.png)
![Big Bolshoi: How the Theatre Got Its Name](https://thetheatretimes.com/wp-content/uploads/2020/01/37339846411_c2f706dacc_b-440x264.jpg)
Big Bolshoi: How the Theatre Got Its Name
![Olympian Calm: The International Theatre Olympics](https://thetheatretimes.com/wp-content/uploads/2019/10/6ac2367dc40452baa67a31944debd10b-shumnov-1025-1-440x264.jpg)
Olympian Calm: The International Theatre Olympics
“Cabaret” at the Theatre of Nations: Inside and Underwear of the Third Empire
by Emiliia Dementsova | Oct 2, 2022 | Adaptation, Review, Russia, Theatre and Politics
Musical drama of unlearned lessons is perhaps the most appropriate definition for Evgeny...
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The Anatomy of Lost Love: Russian Culture at War
by John Freedman | Feb 24, 2022 | Essay, Russia, Theatre and Politics
Boris Yukhananov – the Artistic Director of the Stanislavsky Electrotheatre, Moscow – discusses how the COVID-19 pandemic has affected the theatre community in Russia and the Stanislavsky Electrotheatre. He also shares his thoughts on the post-pandemic theatre.
Turning Challenges into Opportunities: Multicultural Multi-modal Conversations at the Conference “Theatre and Virtual Reality” in Saint-Petersburg, Russia.
by Irina Yakubovskaya | Oct 28, 2020 | News, Russian Theatre - Featured, Transcultural Collaborations, Transmedia
As part of the XXX Baltic House International Theatre Festival, the conference “Theatre and...
![Roxy Cook’s A Woman Walks into a Bank at Theatre 503: Sublimely Beguiling Account of Everyday Life in Twenty-First Century Moscow](https://thetheatretimes.com/wp-content/uploads/2023/12/bank-440x264.jpg)
![“Cabaret” at the Theatre of Nations: Inside and Underwear of the Third Empire](https://thetheatretimes.com/wp-content/uploads/2022/09/7654888_PIU_1902-scaled-440x264.jpeg)
![Dolce & Duce: “The Taming of the Shrew” at the Mossovet Theatre](https://thetheatretimes.com/wp-content/uploads/2022/05/1F6A4192-scaled-440x264.jpg)
![Dmitry Krymov Plumbs the Depths of Memory (part 2)](https://thetheatretimes.com/wp-content/uploads/2022/02/Everyone-is-Here-by-Yury-Bogomaz-1-440x264.jpeg)
Dmitry Krymov Plumbs the Depths of Memory (part 2)
![Dmitry Krymov Plumbs the Depths of Memory (part 1)](https://thetheatretimes.com/wp-content/uploads/2022/02/Everyone-is-Here-by-Yury-Bogomaz-3-440x264.jpeg)
Dmitry Krymov Plumbs the Depths of Memory (part 1)
![“Cruel Games”—A Soviet Play in Post-Soviet Realities](https://thetheatretimes.com/wp-content/uploads/2021/11/1F6A6813_фото-Елена-Лапина-440x264.jpg)
“Cruel Games”—A Soviet Play in Post-Soviet Realities
![COVID—Brevis, Ars—Longa](https://thetheatretimes.com/wp-content/uploads/2021/10/3-440x264.jpg)
COVID—Brevis, Ars—Longa
![“The Last Trial” Musical: There Once Was a Wizard, a Servant of Night](https://thetheatretimes.com/wp-content/uploads/2021/10/Untitled-design-3-scaled-e1633209057608-440x264.jpg)
![“The Dybbuk” Or a Play Possessing Audiences for a Century](https://thetheatretimes.com/wp-content/uploads/2021/01/image2-e1610810784460-440x264.png)
![Mister Twister (Marshak-Jazz Cabaret): Ladies & “Trump”](https://thetheatretimes.com/wp-content/uploads/2020/10/Мистер-Твистер-фото-Валерий-Мясников-5-scaled-440x264.jpg)
The Anatomy of Lost Love: Russian Culture at War
by John Freedman | Feb 24, 2022 | Essay, Russia, Theatre and Politics
Vladimir Putin’s decision to recognize two breakaway, Russian-backed republics in Ukraine on...
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Loud Words – Chekhov, The Doctor With A Gun
by Anton Sanatov | Aug 18, 2020 | Dramaturgy, Essay, Russia
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Archive on Stage: Enacting Life, Performing Politics
by Vassili Schedrin | Aug 16, 2020 | Acting, Essay, Russia, Theatre and Politics
How Russian Theatre guru Konstantin Stanislavsky Changed the Acting Universe
by Valeria Paikova | Feb 15, 2021 | Acting, Essay, Russia
Konstantin Stanislavsky’s ideas changed the face of theater as much as Albert Einstein’s theory of...
“On the Verge of Tragedy and Farce”: An Interview with Dmitry Krymov
by Sergey Elkin | Jul 3, 2022 | Adaptation, Directing, Interview, Russia
Dmitry Krymov: artist, director, stage designer, teacher. The son of two of the great theatrical...
Roxy Cook’s A Woman Walks into a Bank at Theatre 503: Sublimely Beguiling Account of Everyday Life in Twenty-First Century Moscow
by Aleks Sierz | Dec 7, 2023 | Playwriting, Review, Russia, Theatre and Age, United Kingdom
The recent news that Russia’s Supreme Court has banned the “international LGBT movement”,...
Russian Theatre Abroad
LatestNatalia Lizorkina’s “Vanya is Alive” Is Both A Play and Witness Statement
by Kitty Brandon-James & Alma Prelec | Aug 5, 2023 | Festivals, Review, Russian Theatre Abroad, Theatre and Politics, United Kingdom
Vanya is alive; Vanya is alive and healthy; Vanya is alive and healthy and totally free. And we...
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“Black Dove” – Chekhov in Mexico
by Antonio Hernández Nieto | Mar 31, 2021 | Mexico, Review, Russian Theatre Abroad
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Forbidden Longings: Two Operatic Premieres at Mariinsky Theatre, St Petersburg
by Yulia Savikovskaya | Mar 21, 2020 | Review, Russia, Theatre and Opera
Two productions, both under musical direction of Valery Gergiev, were put on at Mariinsky Theatre...
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Big Bolshoi: How the Theatre Got Its Name
by Oleg Yegorov | Jan 18, 2020 | News, Russia, Theatre and Opera
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Russian Opera Singer Sets 2 World Records In St. Petersburg
by Russia Beyond | May 7, 2018 | News, Russia, Theatre and Opera
9 New Names in Russian Ballet That You Should Know
by Arly Rubens | Jul 3, 2021 | Russia, Theatre and Dance
We have rounded up the rising stars, not only from Moscow and St. Petersburg but also from...
Mister Twister (Marshak-Jazz Cabaret): Ladies & “Trump”
by Emiliia Dementsova | Oct 15, 2020 | Puppetry, Review, Russia, Theatre and Politics
If the United States again accuses Russia of interfering in the election, it will almost certainly...
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LATEST FROM RUSSIA
- Roxy Cook’s A Woman Walks into a Bank at Theatre 503: Sublimely Beguiling Account of Everyday Life in Twenty-First Century Moscow
- Natalia Lizorkina’s “Vanya is Alive” Is Both A Play and Witness Statement
- “Cabaret” at the Theatre of Nations: Inside and Underwear of the Third Empire
- Russian Theater Beyond Time and Place. On the 25th Anniversary of the STEPS Theatre
- “The Cherry Orchard,” Portland Experimental Theatre Ensemble
- “On the Verge of Tragedy and Farce”: An Interview with Dmitry Krymov
- Mikhoels by Freud: “The Singing Windmills” by Roman Freud and the PM Theater Company
- “Russia Is My Country, Who Better Than Me to Clean Up the Ruins of Our Humanity:” Interview with Elena Kovalskaya – Part II
- “Russia Is My Country, Who Better Than Me to Clean Up the Ruins of Our Humanity”: Interview with Elena Kovalskaya – Part I
- Dolce & Duce: “The Taming of the Shrew” at the Mossovet Theatre
- Dmitry Krymov Plumbs the Depths of Memory (part 2)
- Dmitry Krymov Plumbs the Depths of Memory (part 1)
- The Anatomy of Lost Love: Russian Culture at War
- “Cruel Games”—A Soviet Play in Post-Soviet Realities
- Stage Russia Expands Its Repertoire as It Continues to Offer Unprecedented Access to Contemporary Russian Theatre on a Big Screen
- COVID—Brevis, Ars—Longa
- “The Last Trial” Musical: There Once Was a Wizard, a Servant of Night
- Ken Reynolds: 1938–2021. A Personal and Professional Remembrance of East European Theatre’s Finest Photographer
- 9 New Names in Russian Ballet That You Should Know
- The Golden Mask Festival
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